Presidential power is perhaps one of the most central issues in the study of the American presidency. Since Richard E. Neustadt's classic study, first published in 1960, there has not been a book that thoroughly examines the issue of presidential power. Presidential Power: Theories and Dilemmas by noted scholar John P. Burke provides an updated and comprehensive look at the issues, constraints, and exercise of presidential power.This book considers the enduring question of how presidents can effectively exercise power within our system of shared powers by examining major tools and theories of presidential power, including Neustadt's theory of persuasion and bargaining as power, constitutional and inherent powers, Samuel Kernell's theory of going public, models of historical time, and the notion of internal time. Using illustrative examples from historical and contemporary presidencies, Burke helps students and scholars better understand how presidents can manage the public's expectations, navigate presidential-congressional relations, and exercise influence in order to achieve their policy goals.

In this brilliant and widely acclaimed work, Peter Burke presents a social and cultural history of the Italian Renaissance. He discusses the social and political institutions which existed in Italy during the fifteenth and sixteenth centuries and analyses the ways of thinking and seeing which characterized this period of extraordinary artistic creativity. Developing a distinctive sociological approach, Peter Burke is concerned with not only the finished works of Michelangelo, Raphael, Leonardo da Vinci and others, but also with the social background, patterns of recruitment and means of subsistence of this 'cultural elite'. New to this edition is a fully revised introduction focusing on what Burke terms 'the domestic turn' in Renaissance studies and discussing the relation of the Renaissance to global trends. He thus makes a major contribution to our understanding of the Italian Renaissance, and to our comprehension of the complex relations between culture and society. This thoroughly revised and updated third edition is richly illustrated throughout. It will have a wide appeal among historians, sociologists and anyone interested in one of the most creative periods of European history.

Practitioners of forensic medicine have various tools at their disposal to determine cause of death, and today's computed tomography (CT) can provide valuable clues if images are interpreted properly. Forensic Pathology of Fractures and Mechanisms of Injury: Postmortem CT Scanning is a guide for the forensic pathologist who wants to use CT imaging to assist in determining the mechanism of injury that might have contributed to death. Advice from a forensic pathologist using CT images in daily practice Drawn from the author's work at the Victorian Institute of Forensic Medicine, the book presents an overview of his experience with CT in routine casework, provides an appraisal of the literature with respect to fractures, and offers suggestions for the evaluation of CT images by pathologists. He then suggests what reasonable conclusions can be drawn from the images, the circumstances surrounding the death, and an external examination of the deceased. Includes images and case studies Enhanced with hundreds of CT images that clarify the text and case studies to put the material in context, the book begins by discussing classification of injuries and different types of fractures. It then explores the basics of CT. Next, the book gives a head-to-toe catalogue of various injuries and how they are represented on a CT scan. Finally, the book explores the use of CT in difficult forensic cases such as decomposed and burnt remains, falls, child abuse, and transportation incidents. While not intended to make a forensic pathologist an expert at CT image interpretation, the book enables these professionals to become familiar with the technology so they can competently use it in their practice, heightening the accuracy of their cause of death determinations.

What is the history of knowledge? This engaging and accessible introduction explains what is distinctive about the new field of the history of knowledge (or, as some scholars say, knowledges in the plural ) and how it differs from the history of science, intellectual history, the sociology of knowledge or from cultural history. Leading cultural historian, Peter Burke, draws upon examples of this new kind of history from different periods and from the history of India, East Asia and the Islamic world as well as from Europe and the Americas. He discusses some of the main concepts used by scholars working in the field, among them order of knowledge , situated knowledge and knowledge society . This book tells the story of the transformation of relatively raw information into knowledge via processes of classification, verification and so on, the dissemination of this knowledge and finally its employment for different purposes, by governments, corporations or private individuals. A concluding chapter identifies central problems in the history of knowledge, from triumphalism to relativism, together with attempts to solve them. The only book of its kind yet to be published, What is the History of Knowledge? will be essential reading for all students of history and the humanities in general, as well as the interested general reader.

What is the use of social theory to historians, and of history to social theorists? In clear and energetic prose, a pre--eminent cultural historian here offers a far--reaching response to these deceptively simple questions. In this classic text, now revised and updated in its second edition, Peter Burke reviews afresh the relationship between the fields of history and the social sciences and their tentative convergence in recent decades. Burke first examines what uses historians have made -- or might make -- of the models, methods, and concepts of the social sciences, and then analyzes some of the intellectual conflicts, such as the opposition between structure and human agency, which are at the heart of the tension between history and social theory. Throughout, he draws from a broad range of cultures and periods to illustrate how history, in turn, has been used to create and validate social theories. This new edition brings the book up to date with the addition of examples and discussions of new topics such as social capital, globalization and post--colonialism. The second edition of History and Social Theory will continue to stimulate both students and scholars across a range of disciplines with its challenging assessment of the roles of history and social science today.

This book provides a critical history of the movement associated with the journal Annales, from its foundation in 1929 to the present. This movement has been the single most important force in the development of what is sometimes called the new history . Renowned cultural historian, Peter Burke, distinguishes between four main generations in the development of the Annales School. The first generation included Lucien Febvre and Marc Bloch, who fought against the old historical establishment and founded the journal Annales to encourage interdisciplinary collaboration. The second generation was dominated by Fernand Braudel, whose magnificent work on the Mediterranean has become a modern classic. The third generation, deeply associated with the cultural turn in historical scholarship, includes recently well-known historians such as Emmanuel Le Roy Ladurie, Jacques Le Goff and Georges Duby. This new edition brings us right up to the present, and contemplates the work of a fourth generation, including practitioners such as Roger Chartier, Serge Gruzinski and Jacques Revel. This new generation continued much of the cultural focus of the previous Annales historians, while diversifying further, and becoming increasingly reflexive , a move that owes much to the sociocultural theories of Michel Foucault, Michel de Certeau and Pierre Bourdieu. Wide-ranging yet concise, this new edition of a classic work of analysis of one of the most important historical movements of the twentieth century will be welcomed by students of history and other social sciences and by the interested general reader.

From comic verse to practical jokes, pornography to satire, acting to acrobatics, the Renaissance witnessed the flowering of play in all its forms. In the first wide-ranging and accessible introduction to play in Renaissance Italy, Peter Burke, celebrated historian of the Italian Renaissance, synthesizes over forty years' research, explores the various forms of play in this period, and offers an overview that reveals the many connections between its different domains. While play could be rough, the Church played an increasing role in determining acceptable and unacceptable forms of play, and, after campaigns against violence and obscenity, much of the licentiousness characteristic of the early Renaissance was tamed. This entertaining study of play reveals much about the culture of Renaissance Italy, and illuminates an essential element in human life.

Practitioners of forensic medicine have various tools at their disposal to determine cause of death, and today's computed tomography (CT) can provide valuable clues if images are interpreted properly. Forensic Pathology of Fractures and Mechanisms of Injury: Postmortem CT Scanning is a guide for the forensic pathologist who wants to use CT imaging to assist in determining the mechanism of injury that might have contributed to death. Advice from a forensic pathologist using CT images in daily practice Drawn from the author's work at the Victorian Institute of Forensic Medicine, the book presents an overview of his experience with CT in routine casework, provides an appraisal of the literature with respect to fractures, and offers suggestions for the evaluation of CT images by pathologists. He then suggests what reasonable conclusions can be drawn from the images, the circumstances surrounding the death, and an external examination of the deceased. Includes images and case studies Enhanced with hundreds of CT images that clarify the text and case studies to put the material in context, the book begins by discussing classification of injuries and different types of fractures. It then explores the basics of CT. Next, the book gives a head-to-toe catalogue of various injuries and how they are represented on a CT scan. Finally, the book explores the use of CT in difficult forensic cases such as decomposed and burnt remains, falls, child abuse, and transportation incidents. While not intended to make a forensic pathologist an expert at CT image interpretation, the book enables these professionals to become familiar with the technology so they can competently use it in their practice, heightening the accuracy of their cause of death determinations.

This book provides a critical history of the movement associated with the journal Annales, from its foundation in 1929 to the present. This movement has been the single most important force in the development of what is sometimes called the new history . Renowned cultural historian, Peter Burke, distinguishes between four main generations in the development of the Annales School. The first generation included Lucien Febvre and Marc Bloch, who fought against the old historical establishment and founded the journal Annales to encourage interdisciplinary collaboration. The second generation was dominated by Fernand Braudel, whose magnificent work on the Mediterranean has become a modern classic. The third generation, deeply associated with the cultural turn in historical scholarship, includes recently well-known historians such as Emmanuel Le Roy Ladurie, Jacques Le Goff and Georges Duby. This new edition brings us right up to the present, and contemplates the work of a fourth generation, including practitioners such as Roger Chartier, Serge Gruzinski and Jacques Revel. This new generation continued much of the cultural focus of the previous Annales historians, while diversifying further, and becoming increasingly reflexive , a move that owes much to the sociocultural theories of Michel Foucault, Michel de Certeau and Pierre Bourdieu. Wide-ranging yet concise, this new edition of a classic work of analysis of one of the most important historical movements of the twentieth century will be welcomed by students of history and other social sciences and by the interested general reader.

Presidential power is perhaps one of the most central issues in the study of the American presidency. Since Richard E. Neustadt's classic study, first published in 1960, there has not been a book that thoroughly examines the issue of presidential power. Presidential Power: Theories and Dilemmas by noted scholar John P. Burke provides an updated and comprehensive look at the issues, constraints, and exercise of presidential power. This book considers the enduring question of how presidents can effectively exercise power within our system of shared powers by examining major tools and theories of presidential power, including Neustadt's theory of persuasion and bargaining as power, constitutional and inherent powers, Samuel Kernell's theory of going public, models of historical time, and the notion of internal time. Using illustrative examples from historical and contemporary presidencies, Burke helps students and scholars better understand how presidents can manage the public's expectations, navigate presidential-congressional relations, and exercise influence in order to achieve their policy goals.

Early in his life, Marx had perceived the prevailing social system as being so deeply flawed as to be irreparable. He was as impatient with utopian fantasies as he was with mere tinkering, and so he was driven to develop not only the intellectual forecast of bourgeois capitalism's necessary demise but also the plan of human action that would at once hasten that demise and school the revolutionary actors for the post-revolutionary task of constructing a good society. The essays in this 1981 book examine the problems that have arisen from attempts to implement Marx's critical theory. The centrality of the good society is hardly to be doubted in the context of that theory. As long as socialist regimes continue to invoke Marx's name, they necessarily render themselves subject to the norms contained within or implied by Marx's understanding and endorsement of freedom, equality, justice and human self-realization in a community.

What is the history of knowledge? This engaging and accessible introduction explains what is distinctive about the new field of the history of knowledge (or, as some scholars say, knowledges in the plural ) and how it differs from the history of science, intellectual history, the sociology of knowledge or from cultural history. Leading cultural historian, Peter Burke, draws upon examples of this new kind of history from different periods and from the history of India, East Asia and the Islamic world as well as from Europe and the Americas. He discusses some of the main concepts used by scholars working in the field, among them order of knowledge , situated knowledge and knowledge society . This book tells the story of the transformation of relatively raw information into knowledge via processes of classification, verification and so on, the dissemination of this knowledge and finally its employment for different purposes, by governments, corporations or private individuals. A concluding chapter identifies central problems in the history of knowledge, from triumphalism to relativism, together with attempts to solve them. The only book of its kind yet to be published, What is the History of Knowledge? will be essential reading for all students of history and the humanities in general, as well as the interested general reader.

Peter Burke follows up his magisterial "Social History of Knowledge," picking up where the first volume left off around 1750 at the publication of the French Encyclopedie and following the story through to Wikipedia. Like the previous volume, it offers a social history (or a retrospective sociology of knowledge) in the sense that it focuses not on individuals but on groups, institutions, collective practices and general trends.

The book is divided into 3 parts. The first argues that activities which appear to be timeless - gathering knowledge, analysing, disseminating and employing it - are in fact time-bound and take different forms in different periods and places. The second part tries to counter the tendency to write a triumphalist history of the 'growth' of knowledge by discussing losses of knowledge and the price of specialization. The third part offers geographical, sociological and chronological overviews, contrasting the experience of centres and peripheries and arguing that each of the main trends of the period - professionalization, secularization, nationalization, democratization, etc, coexisted and interacted with its opposite.

As ever, Peter Burke presents a breath-taking range of scholarship in prose of exemplary clarity and accessibility. This highly anticipated second volume will be essential reading across the humanities and social sciences.

The period in which we live is marked by increasingly frequent and intense cultural encounters of all kinds. However we react to it, the global trend towards mixing or hybridization is impossible to miss, from curry and chips - recently voted the favourite dish in Britain - to Thai saunas, Zen Judaism, Nigerian Kung Fu, "Bollywood" films or salsa or reggae music. Some people celebrate these phenomena, whilst others fear or condemn them. No wonder, then, that theorists such as Homi Bhabha, Stuart Hall, Paul Gilroy, and Ien Ang, have engaged with hybridity in their work and sought to untangle these complex events and reactions; or that a variety of disciplines now devote increasing attention to the works of these theorists and to the processes of cultural encounter, contact, interaction, exchange and hybridization. In this concise book, leading historian Peter Burke considers these fascinating and contested phenomena, ranging over theories, practices, processes and events in a manner that is as wide-ranging and vibrant as the topic at hand.

Forensic Medical Investigation of Motor Vehicle Incidents provides an in-depth study of the circumstances underlying motor vehicle incidents and allows for a reasoned analysis of a crash victim's injuries. It also gives law enforcement the tools to communicate relevant information to the forensic pathologists and trains pathologists to infer crucial clues to the scenario that they may then relate to the investigating officers. Beginning with the design of the vehicle, its safety features and other mechanisms for avoiding collision or injury, the book then addresses the myriad behavioral and mitigating medical factors that impair human abilities and cause vehicular incidents. It details the correct forensic classification of injuries and reviews the direction, force, and nature of injury. Organized into incidents involving car-on-car and car-on-pedestrian, as well as bicycles, motorcycles, and heavy machinery, the book delves into extensive accounts of the various insults sustained by the body in the event of impact. This information gives trauma care practitioners the ability to quickly determine the nature and extent of the injuries sustained and allows them to provide faster more effective care to the survivors of the crash. To aid the pathologist in fulfilling the important task of finding a reasonable cause of death, the second portion of the book focuses on the postmortem examination, toxicology, and documented cause of death. Written for all members of the investigative team, including forensic pathologists, police officers, safety engineers, and medical personnel in trauma care, Forensic Investigations of Motor Vehicle Incidents is a preliminary resource that facilitatescommunication among all those concerned with the causes and effects of vehicular incidents.

In this brilliant and widely acclaimed work, Peter Burke presents a social and cultural history of the Italian Renaissance. He discusses the social and political institutions which existed in Italy during the fifteenth and sixteenth centuries and analyses the ways of thinking and seeing which characterized this period of extraordinary artistic creativity. Developing a distinctive sociological approach, Peter Burke is concerned with not only the finished works of Michelangelo, Raphael, Leonardo da Vinci and others, but also with the social background, patterns of recruitment and means of subsistence of this cultural elite . New to this edition is a fully revised introduction focusing on what Burke terms the domestic turn in Renaissance studies and discussing the relation of the Renaissance to global trends. He thus makes a major contribution to our understanding of the Italian Renaissance, and to our comprehension of the complex relations between culture and society. This thoroughly revised and updated third edition is richly illustrated throughout. It will have a wide appeal among historians, sociologists and anyone interested in one of the most creative periods of European history.

From comic verse to practical jokes, pornography to satire, acting to acrobatics, the Renaissance witnessed the flowering of play in all its forms. In the first wide-ranging and accessible introduction to play in Renaissance Italy, Peter Burke, celebrated historian of the Italian Renaissance, synthesizes over forty years' research, explores the various forms of play in this period, and offers an overview that reveals the many connections between its different domains. While play could be rough, the Church played an increasing role in determining acceptable and unacceptable forms of play, and, after campaigns against violence and obscenity, much of the licentiousness characteristic of the early Renaissance was tamed. This entertaining study of play reveals much about the culture of Renaissance Italy, and illuminates an essential element in human life.

The way in which history is written has changed quite dramatically - so much so that the phrase ?the new history? is now commonly used by historians. But what is the new history and how ?new? is it? Is it a temporary fashion or a long-term trend? Will it - or should it - replace traditional history, or can the two coexist in peace? This second edition of New Perspectives on Historical Writing sets out to answer these questions, examining the most exciting and important developments in the methodology and practice of history. Concentrating on some of the more recent movements, it sets out to place these within the context of long-term changes in the writing of history. Peter Burke is joined here by a distinguished group of internationally renowned historians including Robert Darnton, Ivan Gaskell, Richard Grove, Giovanni Levi, Roy Porter, Gwyn Prins, Joan Scott, Jim Sharpe, Richard Tuck and Henk Wesseling. The contributions examine a wide range of interdisciplinary areas of historical research, including women?s history, history ?from below?, the history of reading, oral history, the history of the body, microhistory, the history of events, the ?new history?, the history of images, political history and overseas history. This volume has been thoroughly revised and updated for the second edition, and includes an entirely new chapter on environmental history. New Perspectives on Historical Writing is a timely and important account of the new approaches to the writing of history. It has become a key reference work and is used by students and researchers in a wide range of disciplines: history and historiography, women?s studies, anthropology, sociology, politics and literature.